Oh Freedom’s original author is not known. It emerged out of the aftermath of the Civil War and was an anthem during the Civil Rights Movement . This arrangement was originally written as a response to Adolphus Hailstork’s American Guernica for The University of Houston Wind Ensemble’s 2025 TMEA appearance. In begins in the remnants of tragedy and moves to an expression of appreciation for Freedom. The first two times through the refrain are sung in a gospel style, moving from slightly pained to resolute. I have always been a huge fan of New Orleans jazz and the joy-amidst-the-sorrow jazz funeral, with its slow, dirge-like character that moves into an exuberant celebration of life. I particularly love how dozens of people often bring their instruments to play in the funeral procession. The audience is invited to participate in the fun and sing the final few refrains.

Oh, Freedom was intended as a work for bass-baritone and wind ensemble, however it is possible to be played with any solo instrument. If a solo instrument is chosen, then it is best the musicians in the wind ensemble sing.